Reading Report on Selected Poems of Song Poetry
One
In the history of the development of ancient Chinese poetry, poetry flourished in the Tang Dynasty, and the word prospered in the Song Dynasty. This is an indisputable fact. However, the poetry of Song poetry has been swaying from the Tang poetry, from the poetry of Tang poetry to the poetry of Tang poetry. And better than the Tang poetry, the various theories, Lin Lin always mixed. In the heart, the two peaks of Chinese poetry in Tang poetry and Song poetry, after the Tang Dynasty, after five generations of short-term downturns and adjustments and reflections, the poems gradually appeared in the Tang Dynasty over the past three hundred years. specialty. As is known to all, the Song Dynasty was very different from the Tang Dynasty in both the national power and the political system of the National Games. As Qian Zhongshu said in the preface to the Selected Poems of Song Poetry, "the works are produced in the historical environment in which the author is located. The reality of his life is rooted in the footsteps." The perfect imperial examination system and the huge civil service system in the Song Dynasty made the number of literati in the Song Dynasty far more than any previous dynasty. At the same time, as Song Taizu held the jade axe to define himself and the descendants of the Zhao family, the general direction of Song poetry creation has never broken through the pattern of Tang poetry. The limitations of the rule of the map also lock the eyes and inspiration of the poets. Most of the poets who are in the official position, who have not eaten and worn, have turned the poems of their predecessors into an elegant interest in daily life. In the preface to the Selected Poems of Song Poetry, Qian Zhongshu cited the example of Alexander to explain that future generations must transcend the territory created by their predecessors, and they must go to a more remote region and pay more hard work. Therefore, he pointed out that the accomplishments of the predecessors are not only an industry left to future generations, but also a provocation against future generations. The Song people wrote poems. In the face of the Tang poetry, they couldn't surpass them. They could only sigh. In the Tang poetry, Li Bai and Du Fu, the creative style of Gemini, appeared in the Song Dynasty, "Du Tianxia, Li Yijiao." Although people admit Li Bai's poetry status, he prefers to learn to follow the rules of Du Fu.
In the "Tan Yi Lu", Qian Zhongshu's anti-traditional stylistic evolution theory believes that the evolution of style is "a line of extension", so from a certain perspective, Song poetry should have the same status as Tang poetry. The so-called "Tang poetry" and "Song poetry" are actually a combination of time and style, but more inclined to style. The Song Dynasty attached great importance to the literati. The country spends a lot of money every year to support them. The Song literati lived a more refined life than the former generation. In the context of the intertwined, silk and bamboo strings, the poets are more willing to express themselves in words and techniques. Value, when you think that there is no more breakthrough, you can only use the outer cloak of science to talk about some superficial truths and make some old arguments. The poetry of science can be said to be the original creation of the Song people, but for most works, it is only the original creation of failure. Therefore, the greatest wealth of Song poetry to future generations is in the use of words and sentences. The Song people learned Lao Du, and did not like the Tang Dynasty to learn Lao Du, broke into the brains and searched strange words, writing poetry like climbing the cliffs. The Song people wrote poetry and paid attention to words, but they were far more accurate and elegant than the Tang people, and they did not have the same style as the Tang people. Qian Zhong wrote a smile on the comments of the poet of the Ming Dynasty on the evaluation of Song poetry "Learning Tang poetry without thinking about Tang poetry", because it is precisely that it is the originality and value of Song poetry. "The Song people can extend the road built by the Tang people, and the rivers that have been dug deepened, but they have not ventured into the wasteland and have not discovered the new world." The rulers of the Song Empire were cautiously obsessed with the world framed by the Emperor Taizu. At the same time as the money and money maintained the stability of the interior of the empire, the poets of the Song Dynasty had a series of classics in a straightforward manner.
two
In 1956, Qian Zhongshu was selected in the vast sea of Song poetry, and two years later, Song Poetry was selected.
Qian Zhongshu is the most individuality among modern scholars. Such a selection of Song poems has obvious personal style and academic thoughts. In the preface, he made the standard of the selection of poems very clear: "The rhyming files are not selected, the exhibitions of learning and the allusions of the allusions are not selected, the fake antiques of the predecessors are not selected, and the flash is now unsuccessful... ... ” That is to say, all the Song poems are not selected. Qian Zhongshu has studied Chinese and Western, has a great history of reading books, and has a strong memory. In this note, he does not directly express his personal views, but he does not comment. Song poetry itself has always been very controversial. Qian Zhongshu is a wise man. He knows that using personal opinions and a word to evaluate poetry will only bring more controversy to Song poetry. May bring the risk of becoming a target. In the whole book, in addition to the comparison of the proofreading and version of the words, the ancient people's comments and verses are used to explain where the poetic conception and usage come from. For example, in the preface of the Sichuanese Shi Yu’s "On the Lake", "There are no words in this place, and the bare-handed snakes try to catch and see", and the comments of Su Shi's "Guo Xi <秋汕平远>", Sun The original sentence in "The Book with Wang Lin Xiu Cai" and Liu Zongyuan "Reading Han Yu's "Ma Ying Chuan" is to explain that this sentence is not the original creation of Shi Yu, but has been repeatedly used by the predecessors, self-righteous history. When I was complacent, I was already stunned by the wisdom of my predecessors. For example, in Zheng Wenbao's "Zhuzhi Ci" note, he first quoted the "Old Parting" of Weizhuang in the Tang Dynasty, pointing out that the two artistic conceptions are similar. Later, he emphasized that Zheng Shisheng surpassed Wei Shi, and then quoted Zhou Bangyan's "Yu Chi Cup" word and stone. The filial piety "Yu Louchun" words, Wang Shizhen "West Chamber" and Lu Juan "send people to Xin'an" to illustrate the later changes of this poem. Qian Zhongshu was an expert in comparative literature. In this book, he gave full play to his own specialties and introduced his readers with rich knowledge. For example, in the note of Mei Yaochen’s "Taoist", he quoted the ancient poems to reflect the time. Actual historical situation. Another example is the reference to "Tokyo Dreams Record" and "The Riverside Scene at Qingming Festival" in Wang Biao's "Frozen Food" note to illustrate the customs of the Cold Food Festival in the Northern Song Dynasty. The contrast between the different versions of the book squadron, the pros and cons of the syllabary can often be seen, the poetry of the note is often accompanied by historical materials, which reflects Qian Zhongshu's careful and profound testimony. Another highlight of Qian Zhongshu's selection is the small order written for each poet. The small order of several people such as Wang Anshi, Su Shi, Huang Tingjian, Yang Wanli, Lu You, Fan Chengda, etc. is especially exciting. These prefaces are written neatly and neatly, and the words are elegant and objectively evaluated and positioned by the poets. They not only tell the poets' achievements, but also directly point out the poets' faults and deficiencies. Qian Zhongshu has the ability to generalize beyond ordinary people, and can focus on the achievements and shortcomings of everyone. For example, in Su Shi's preface, the biggest characteristic of Su Shi's style is the rich, fresh and appropriate metaphor of the metaphor, not only the specific reference to Su Shi The poems are used as examples, and at the same time, "Zhuangzi", "Book of Songs", and other poets' works are used to illustrate that Chinese poetry has a tradition of paying attention to language visualization; then it is pointed out that Su Shi's fault lies in the use of codes and over-distribution. . There are also some poets who write in a small order, which makes people laugh and laugh. For example, in Wang Ling’s small preface, he said that he was “affected by Han Yu, Meng Jiao and Lu Tong. The words are as creative as Li Wei’s. And the tone is more and more majestic, as if to be able to play the world as a ball, probably the most poet of the Song Dynasty. "In one sentence, I wrote the life of Wang Ling.
"Selected Song Poetry" has been a lot of people since the first edition for decades. Most people's evaluations are much better than the selected poems. The playwright Sha Yexin has a subtle comment on this. "It’s like a bridesmaid is more beautiful than a bride at the wedding, which adds a lot of surprises to the guests!" “The morning book is a meticulous comment, and the poetic law hurts the city.” This is the verse he wrote when he chose the poem. Qian Zhongshu is a talented person rather than a rigid scholar. His note fully reflects his timeless writing. Style and rigorous style. Such a literary and interesting book is very valuable in the era of the 1950s, a school of standardized academic language filled with arduous mechanization and a thousand people. Some people say that the shortcoming of Qian Zhongshu is that he likes to drop the book bag. The circumstantial evidence of the confession is unintelligible. In fact, this reflects his rigor, self-confidence and a little cute celebrity.
In the history of the development of ancient Chinese poetry, poetry flourished in the Tang Dynasty, and the word prospered in the Song Dynasty. This is an indisputable fact. However, the poetry of Song poetry has been swaying from the Tang poetry, from the poetry of Tang poetry to the poetry of Tang poetry. And better than the Tang poetry, the various theories, Lin Lin always mixed. In the heart, the two peaks of Chinese poetry in Tang poetry and Song poetry, after the Tang Dynasty, after five generations of short-term downturns and adjustments and reflections, the poems gradually appeared in the Tang Dynasty over the past three hundred years. specialty. As is known to all, the Song Dynasty was very different from the Tang Dynasty in both the national power and the political system of the National Games. As Qian Zhongshu said in the preface to the Selected Poems of Song Poetry, "the works are produced in the historical environment in which the author is located. The reality of his life is rooted in the footsteps." The perfect imperial examination system and the huge civil service system in the Song Dynasty made the number of literati in the Song Dynasty far more than any previous dynasty. At the same time, as Song Taizu held the jade axe to define himself and the descendants of the Zhao family, the general direction of Song poetry creation has never broken through the pattern of Tang poetry. The limitations of the rule of the map also lock the eyes and inspiration of the poets. Most of the poets who are in the official position, who have not eaten and worn, have turned the poems of their predecessors into an elegant interest in daily life. In the preface to the Selected Poems of Song Poetry, Qian Zhongshu cited the example of Alexander to explain that future generations must transcend the territory created by their predecessors, and they must go to a more remote region and pay more hard work. Therefore, he pointed out that the accomplishments of the predecessors are not only an industry left to future generations, but also a provocation against future generations. The Song people wrote poems. In the face of the Tang poetry, they couldn't surpass them. They could only sigh. In the Tang poetry, Li Bai and Du Fu, the creative style of Gemini, appeared in the Song Dynasty, "Du Tianxia, Li Yijiao." Although people admit Li Bai's poetry status, he prefers to learn to follow the rules of Du Fu.
In the "Tan Yi Lu", Qian Zhongshu's anti-traditional stylistic evolution theory believes that the evolution of style is "a line of extension", so from a certain perspective, Song poetry should have the same status as Tang poetry. The so-called "Tang poetry" and "Song poetry" are actually a combination of time and style, but more inclined to style. The Song Dynasty attached great importance to the literati. The country spends a lot of money every year to support them. The Song literati lived a more refined life than the former generation. In the context of the intertwined, silk and bamboo strings, the poets are more willing to express themselves in words and techniques. Value, when you think that there is no more breakthrough, you can only use the outer cloak of science to talk about some superficial truths and make some old arguments. The poetry of science can be said to be the original creation of the Song people, but for most works, it is only the original creation of failure. Therefore, the greatest wealth of Song poetry to future generations is in the use of words and sentences. The Song people learned Lao Du, and did not like the Tang Dynasty to learn Lao Du, broke into the brains and searched strange words, writing poetry like climbing the cliffs. The Song people wrote poetry and paid attention to words, but they were far more accurate and elegant than the Tang people, and they did not have the same style as the Tang people. Qian Zhong wrote a smile on the comments of the poet of the Ming Dynasty on the evaluation of Song poetry "Learning Tang poetry without thinking about Tang poetry", because it is precisely that it is the originality and value of Song poetry. "The Song people can extend the road built by the Tang people, and the rivers that have been dug deepened, but they have not ventured into the wasteland and have not discovered the new world." The rulers of the Song Empire were cautiously obsessed with the world framed by the Emperor Taizu. At the same time as the money and money maintained the stability of the interior of the empire, the poets of the Song Dynasty had a series of classics in a straightforward manner.
two
In 1956, Qian Zhongshu was selected in the vast sea of Song poetry, and two years later, Song Poetry was selected.
Qian Zhongshu is the most individuality among modern scholars. Such a selection of Song poems has obvious personal style and academic thoughts. In the preface, he made the standard of the selection of poems very clear: "The rhyming files are not selected, the exhibitions of learning and the allusions of the allusions are not selected, the fake antiques of the predecessors are not selected, and the flash is now unsuccessful... ... ” That is to say, all the Song poems are not selected. Qian Zhongshu has studied Chinese and Western, has a great history of reading books, and has a strong memory. In this note, he does not directly express his personal views, but he does not comment. Song poetry itself has always been very controversial. Qian Zhongshu is a wise man. He knows that using personal opinions and a word to evaluate poetry will only bring more controversy to Song poetry. May bring the risk of becoming a target. In the whole book, in addition to the comparison of the proofreading and version of the words, the ancient people's comments and verses are used to explain where the poetic conception and usage come from. For example, in the preface of the Sichuanese Shi Yu’s "On the Lake", "There are no words in this place, and the bare-handed snakes try to catch and see", and the comments of Su Shi's "Guo Xi <秋汕平远>", Sun The original sentence in "The Book with Wang Lin Xiu Cai" and Liu Zongyuan "Reading Han Yu's "Ma Ying Chuan" is to explain that this sentence is not the original creation of Shi Yu, but has been repeatedly used by the predecessors, self-righteous history. When I was complacent, I was already stunned by the wisdom of my predecessors. For example, in Zheng Wenbao's "Zhuzhi Ci" note, he first quoted the "Old Parting" of Weizhuang in the Tang Dynasty, pointing out that the two artistic conceptions are similar. Later, he emphasized that Zheng Shisheng surpassed Wei Shi, and then quoted Zhou Bangyan's "Yu Chi Cup" word and stone. The filial piety "Yu Louchun" words, Wang Shizhen "West Chamber" and Lu Juan "send people to Xin'an" to illustrate the later changes of this poem. Qian Zhongshu was an expert in comparative literature. In this book, he gave full play to his own specialties and introduced his readers with rich knowledge. For example, in the note of Mei Yaochen’s "Taoist", he quoted the ancient poems to reflect the time. Actual historical situation. Another example is the reference to "Tokyo Dreams Record" and "The Riverside Scene at Qingming Festival" in Wang Biao's "Frozen Food" note to illustrate the customs of the Cold Food Festival in the Northern Song Dynasty. The contrast between the different versions of the book squadron, the pros and cons of the syllabary can often be seen, the poetry of the note is often accompanied by historical materials, which reflects Qian Zhongshu's careful and profound testimony. Another highlight of Qian Zhongshu's selection is the small order written for each poet. The small order of several people such as Wang Anshi, Su Shi, Huang Tingjian, Yang Wanli, Lu You, Fan Chengda, etc. is especially exciting. These prefaces are written neatly and neatly, and the words are elegant and objectively evaluated and positioned by the poets. They not only tell the poets' achievements, but also directly point out the poets' faults and deficiencies. Qian Zhongshu has the ability to generalize beyond ordinary people, and can focus on the achievements and shortcomings of everyone. For example, in Su Shi's preface, the biggest characteristic of Su Shi's style is the rich, fresh and appropriate metaphor of the metaphor, not only the specific reference to Su Shi The poems are used as examples, and at the same time, "Zhuangzi", "Book of Songs", and other poets' works are used to illustrate that Chinese poetry has a tradition of paying attention to language visualization; then it is pointed out that Su Shi's fault lies in the use of codes and over-distribution. . There are also some poets who write in a small order, which makes people laugh and laugh. For example, in Wang Ling’s small preface, he said that he was “affected by Han Yu, Meng Jiao and Lu Tong. The words are as creative as Li Wei’s. And the tone is more and more majestic, as if to be able to play the world as a ball, probably the most poet of the Song Dynasty. "In one sentence, I wrote the life of Wang Ling.
"Selected Song Poetry" has been a lot of people since the first edition for decades. Most people's evaluations are much better than the selected poems. The playwright Sha Yexin has a subtle comment on this. "It’s like a bridesmaid is more beautiful than a bride at the wedding, which adds a lot of surprises to the guests!" “The morning book is a meticulous comment, and the poetic law hurts the city.” This is the verse he wrote when he chose the poem. Qian Zhongshu is a talented person rather than a rigid scholar. His note fully reflects his timeless writing. Style and rigorous style. Such a literary and interesting book is very valuable in the era of the 1950s, a school of standardized academic language filled with arduous mechanization and a thousand people. Some people say that the shortcoming of Qian Zhongshu is that he likes to drop the book bag. The circumstantial evidence of the confession is unintelligible. In fact, this reflects his rigor, self-confidence and a little cute celebrity.
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