A Smile with Tears--Analysis of the Characterization of "The Dead Soul"

When the raging thoughts flocked to the slender tip, the arm could not bear it. However, what has to be done is just beginning.

Your dull soul, the wandering soul, tired of this innocence? Almost crazy! So dark, but so intriguing between the lines, as if in the distant nights of distant Russian fields, let the cold wind from Siberia into their lazy manor.

You - Gogol is destined to be stared at by the eyes of the beasts. That is the eye of the beast! If you look at it, you will rush to bite your throat. But you don't worry, don't be afraid. You let your complaints cast on some imaginative landlords, you put the poet's romance and vicious sarcasm, the rough language and gentle sentiment, the talent of Dumas's narrative and the generous passion of Hugo, and Hoffman's magical charm of writing people into ghosts, but tightly attached to reality, is so amazingly integrated, and the combination is so perfect.

I went to the world of the 19th century, Russia, whose breath was dying. I think I saw the Plyushkin. He is a miser, sinful, conservative, declining and corrupt miser. He is a cancer of the Russian nation and is very different from the life-filled and free land behind his manor. I don't know why, I feel that I seem to be dragged into the ugly trade between Yukov and the five Russian landowners. Actually, I am always myself. These people are always living in sin and selfishly. The real thing is that they all seem to be a group of real, pedantic souls.

When you outline this character, your reason overcomes the turbulent tide, you must be a calm narrator. But you can't help it. You can't help but exaggerate, sharpen, and humour in a furnace, pouring hot water from this tank onto these landlords. You have shaped the greedy landlord of Plyushkin. He is not a man or a woman, like a beard of "brushing a horse's wire brush"; he walks through the "roads don't need to be cleaned", etc., exaggerated methods Highlight his image outside. You exploited and cruel the cruel class, coupled with the prevalence of natural disasters and epidemics, the society in which a large number of serfs died showed the style of that era, and indirectly portrayed the character of Plyushkin.

For the Puliushkin "self-entertainment" manor, you from far and near, from big to small, from the table and the inside, step by step, slowly, without hesitation, tell us the appearance of the manor, the courtyard The layout and interior furnishings. Combine narrative, descriptive and argumentation to forcefully expose and criticize Plyushkin. And he is just a microcosm of that era.

I love your sharp and spicy words, more humorous words, and exaggerated artistic techniques. Those sharp articles slid across one landlord and then slowly slipped into more distant, mediocre, ignorant, shameless, fierce and lazy.

Plyushkin, you portray his decaying nature and his unique personality. Not only its deep thoughts, perfect forms and unique styles have strengthened the critical tendency of Russian literature, but also the development of the Russian People's Liberation Movement objectively because of the ruthless disclosure of the autocratic system and the serf system. What you want to convey is to tell us that Russia does not need to be saved. Salvation is not enough to open it from the facts, and it wants to wake up. The Russians also need labor and freedom.

Life, many times, like a river that is constantly flipping through a bay, constantly turning out all kinds of dirty, accumulated, floating, big or small, just things that don’t dare to see people, these things, Just show it in front of you. Plyushkin is such a dirty, extremely embarrassing, greedy, miserable shade. He is like a big spider. The thick spider web is dripping with a mouth and it is extended to himself. Anything that comes, but never enjoy it, let it rot; the decay of society may be brought by such people. Forever Pryushkin and the mirrors of the Russian landowners, forever Plyushkins! The blunt frankness is always shorter than a wonderful lie.

You tell me that it is too cumbersome to dream of buying fish and to make the final carvings, to delete the bulky and cumbersome articles, to eliminate the delicate and refined fineness, to make up for the cold and the flaws and omissions of the ideas, to balance only All the singular warmth created by the neat indifference style - only at that time will this wonderful masterpiece be formed.

And yours is a tearful smile.

Jiaxing Pinghu City, Sichuan Province Experimental Middle School, third day: Yang Limiao