Classical Women's Inspirational Movie: "One Litre of Tears"

Classical Women's Inspirational Movie: "One Litre of Tears"
Recommended reason: This movie is the best life textbook. "Even if it is a trivial weak force, I still hope to help others." This sentence from a weak girl with a disability touched countless people.
Chinese title: "One liter of tears"
English title: 1 Litre of Tears
Director: Okamura's starring: Kato Kazuko, Daisuke Masahiro, Matsu Kimisiko, and Asakawa Fumiya Synopsis: This is the diary written by Mutoya during the 14- to 21-year-old period. The TV series is full of her efforts to fight the disease and passion for life. The touching story of struggle! Actress Wood Fujiya, because of a sudden lesion of the spinal cord cerebellum, so that his body's motor function is weak, the hands and feet of self-activity and language ability gradually lost, until the end of the disease can only helplessly lying on the bed, facing the helplessness of life But bravely survive until the last second until the life function stops and dies...
"One liter of tears" is based on the background of the cultural center of Nagoya in the late 1970s. A fifteen-year-old national three-girl, Miki Fujiya, is about to launch the most brilliant high school career in life. The ridiculous thing is that a change she had never expected changed her life, and her life accelerated in a short period of ten years, starting with a rare terminal illness, spinal cerebellar atrophy.

Limb paralysis, difficulty swallowing, and inability to speak are all diseases that Ya will face in the future. She wants to write, wants to run happily, wants to talk about a sweet love, wants to repay the kindness of her parents, even though she knows that the blueprint for the future is gradually blurred, Ya still resolutely enters high school to continue her studies. Until the illness worsened, the Asian who was in a wheelchair finally agreed to transfer to the Okazaki Maintenance School in order not to add trouble to family and friends.
"I am going to leave Donggao. From then on, I am carrying a heavy baggage for the disabled, and one person continues to live. Although this is my decision, before I go through this process, I have to flow at least one first. The tears of the liters. You may need more and more since then," said Ya.
Singing, writing, holding hands, running, and even chewing food with your mouth, how ordinary behavior is in the eyes of ordinary people, but in Ya's body all become unreachable happiness. To forget the healthy self, forget the taste of swallowing food. Soon, Yah is also lying in bed, losing the walking ability she has been trying to maintain. Supporting her meaning of survival, in addition to the family, is the strong willpower that refuses to compromise the disease, and her small embarrassment of future life.
Ya also tried to use pen to record the thinking and persistence of life in life. She did not hate the body that her parents gave her. She did not hate why God was cruel to deprive her of her right to survive. She just struggled for her own body and dragged her. The weakening body slowly moved toward the narrow but existing door of survival, until she lost consciousness at the age of 21...
On May 23, 1988, with the hope of future life, she left the world she once belonged to for 25 years, leaving a sorrowful book and encouragement to give more to the sick. people. "Even if it is a trivial weak force, I still hope to help others." There is no exaggerated rhetoric in Ya's writings, but it can make readers feel the invisible but the most basic desire - "I want to live." ". Being able to live is the happiest thing.
The film "One Lush of Tears" was adapted for the first release of the film in Nagoya, Japan in October 2004. It was released in Taiwan on October 20, 2006. On December 7, 2006, Hong Kong released a one-liter tear film version of the stills. The film was filmed from April 29, 2004 to May 26 in Toyohashi, where Yahwa lived. The location of the film, including the colleges where Ya also went to school, is a work that fits the real environment. Compared with the TV version of Nakazawa Hideo, I am interested in acting in the movie. In the movie, Daxi Mahui specifically expresses spinal cerebellar atrophy with acting. Compared with the TV version, which is largely based on love, the film version completely reproduces the important scenes in the original.