Yu Jianming's famous sentence

1. China is in a vivid period of great tragedy and comedy, which makes Chinese poetry have a huge psychological, historical, current cultural space and a sorrowful and sorrowful attitude.

2. True poetry, like salt, is made by the basic elements of the world, not by grotesqueness.

3. "Intellectual writing" seems to be more evasive of the Internet. I don't know what psychology they are. In the face of readers, there is no need to keep yourself in the ivory tower. You can write the works in the ivory tower, but you must be confident in your work.

4. The writings of the 1980s were mixed, and the 1990s were a hit. That is to say, those who really want to write poetry continue to write, and those who are mixed in the poetry team will automatically disappear.

5. Contemporary poetry writing is very powerful, but criticism is a dwarf. I certainly hope that the critics of my generation’s contemporaries will echo. However, the level of criticism of contemporary times is very low.

6. How many things in this country are “directly” and “a is a”? Rejecting metaphor is to return to the original divinity of Chinese as “directly”. I am by no means a secular poet. I want to return to the divinity in language, not the "conceptual divinity" of many poets.

7. Face culture is very developed in today's China. All things are not about the object itself, not from the body, but from the concept, the doctrine, the image, and the face.

8. After 80s, these young writers may lack experience, but their knowledge structure is something we can't have. What we value should be their potential.

9. Photos and texts belong to one language, but language is not the world itself. Language is only a metaphor of the world. Through the photos, I tell the reader what I am thinking about in my time, thinking about what, how to understand the world.

10. I just photographed some people who turned a blind eye. I chose them not because they are beautiful, but because they can touch me. The world is like this, and today’s thriving modern world is more like a visitor.

11. The world we live in is made up of grass roots. Grassroots life is not hidden in the dark. It is composed of our most real life.

12. I don't look at the world from an aesthetic point of view. What I have photographed is a normal, ordinary world.

13. A butterfly dies in the rainy season / a butterfly / just in the daytime I see her alone in the New York MRT / I am still worried about whether she can go home before dark / / death by blue lightning The dancers surrounded by golden wool insects in the sun and blue sky / stepped into a mud by the thunderstorm / then the leaves cling to the big tree with their eyes closed / stars drowning in the dark water / this death makes the summer sad and gloomy days / Will continue until September.

14. A bird is sheltering from the rain on my balcony / the bluebird is jumping small / a gentle flame / I open the window / I hope it will fly into my room / I can't tell what is the idea / I sprinkle some rice / Also imitate a kind of call / blue bird look at me / look at the rain / rain more and more / lightning drizzle down / blue bird suddenly flew / disappeared toward the storm / a chill / seems to extinguish is not that flame / It is my heart.

15. From here to there / deep foot and shallow foot / swallow the thorns to move the desert / before the gods have been to Jerusalem / a line of footprints no one can repeat the same mistakes.

16. The empire's terminal/river rushes down the ice and walks down the Himalayas/mountain peaks under the crazy lions in tearing the plains/where the gods are constantly arguing/language exhausted bronze tongues on the dense pattern / Hindu temples have India The furnace/mosa of the temple has a white cloth/sand of the mosque, sleeps in the sand, bones sleep in the stone / lie under the bodhi tree, who is on his bank, the smoke is rolling on the bank of the river / 100,000 pilgrims follow a cow to walk / bathe with The Burners are naked / that day I saw the Eternal River passing through Varanasi / I want to stand up as a Buddha and want to follow the barefoot woman in the clothes / walk into her twilight sheet.

17. Poetry is respected all over the world. Only in today's China, even Han Han, such a person dare to come out to swear by poets, the kind of XX written by middle school students, and what kind of things do people dare to say about new poetry? Road four?

18. A nation respects another nation. It is not that this nation is driving a sports car or making nuclear bullets, but because there are great poets. He can talk to the world of God above God.

19. A poem is like a tower. A really good poem has a seven-level float. The bottom layer is that everyone can go in. With the reading experience and cultivation of that person, he can enter a higher level. The highest part of the tower is that only a few people can enter.

20. Poetry is actually a very rich space, both at the level that ordinary people can enter, and at the level that only a few people can enter. Ordinary people may not know what this is after they go in, but he certainly knows that this is a huge thing, and there is a huge force around it.

21. China is the most dynamic country in the world, and this vitality lurks between the processes of conquest and transformation between different lifestyles. When the rich became the sole purpose of people, the poetry of Chinese life was eliminated. What is not poetic is not life, but people's perception of life. The poet tells them wherever they feel no poetry, and poetry still exists.

22. Since ancient times, poetry has existed on a useless level. It has inspired the soul of the nation through the return of the charm of language. Poetry is a container for the soul.

23. Secularization, non-heroization, irony, ridicule, deconstruction, and postmodernism began with our generation of poets. It is our poetry that slowly acts on Chinese and makes Chinese relax, no longer a taut. State, which affects the discourse of the entire country.

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25. The huge gap between Chinese classical poetry and vernacular poetry makes ancient poetry a nutrient rather than a stress to contemporary poets. Because Li Bai, the vernacular poetry, has not yet appeared, it has yet to be created by ourselves.

26. Language is not the world itself, language is the world of imagination. In fact, the more imagination, the more like the world.

27. A poet's physical condition, knowledge structure, and survival background are different, and the voice is different. The poet must conform to this voice. Don't be a pioneer for the vanguard, and violate the demands of your heart for fame.

28. In an era of maximum profit-seeking, poetry has no profit at all, and it is impossible for poets to become rich by writing poetry.