Cultural journey reading notes

Cultural journey reading notes

Yu Qiuyu walked on the land of the Chinese nation and used his unique observation and insight to deeply ponder the deep culture of this ancient nation. With his delicate brushstrokes, he wrote a book for this "walking trip" of Chinese culture. It does not Sweet, because there are too many bitterness and bitter tastes that I can't bear and experience for myself. I have written a lot for this book that records the Chinese millennial culture. I won't think of it before I saw the "cultural journey". The scenic spots and historical monuments that are fascinating everywhere have such deep meanings behind them; and the authors use their clean and beautiful prose and combination to make them an article that awakens the descendants of Yan Huang.

When we walk into the situation and thinking in the book, we can't help but be serious. Like a group of exiled children, exiled to an unfamiliar land, forcing us to go forward because of the history and culture. There are caves in the Mogao Grottoes in front of us. The caves are still spectacular, real images, and the murals are still silent. We watched the changes of the light and shadow projected on the stone walls as if they were quietly watching the changes of the Dunhuang millennium. The first knife was cut down, and the magnificence of the Mogao Grottoes was opened after the millennium. It was once ravaged: a string of keys in the hands of Wang Daoshi guarded the Dunhuang of the millennium, but let him live in the hands of outsiders, but the Chinese descendants also abandoned them. Regardless of the carriage, the carriage of a carriage is exported to foreign countries. Today, many years later, the mysterious and meaningful caves can attract everyone’s attention. It is not a glamorous appearance, but a ritual, a human nature. And its deep treasures. We see here, beauty, and religious world, and it is the specimen of the Chinese millennium, the same beautiful specimen, even if it has been crippled, ruthless, arbitrary conversion.

"Shallow waves and clouds, Xiaoqiao Liushuijiang Village" is the charm of Jiangnan Town. It is not a natural landscape carved out of nature, but a human landscape that belongs to the ancient Chinese culture. We have never been there. Here, but the Jiangnan town in the book gives us a kind of freedom to return home. It is no wonder that many scholars have come to this place when they encounter political incomprehensibility or life is not ambition, but in the barren mountain knot庐 has troubles in life, and “great faintness in the city” has become the best thrust for literati to live in the south of the Yangtze River. In fact, we have both positive and negative views on “hidden”. The good side is that when Chinese culture is subject to certain When factors such as the northern nomads invade the Central Plains and begin to wither, the literati or scholars will bring their knowledge to cultivate here to live in seclusion, so as to avoid war or political persecution; the second life and death and the official battle are the literati. In the moment of frustration, doing things is not good. The best way to do this is to get your body and mind to be relieved, to find a place to live in seclusion, and to rest enough is the beginning of a new journey. The downside is that The seclusion will be regarded as a tool of fame and fortune, and the false concealment will lead to an official and part-time job. These actions will make China's unique hidden culture begin to deteriorate. The hermit and the post-mortem reputation of the hermit are completely dimmed. However, we are hidden. It is still a positive view, because the space for the development of literati in ancient China is really narrow, forcing them to have only one death except for the hidden, and thus let their ambitions fall, we will choose to sneak, and one day we will be able to make a comeback.

Yu Qiuyu once said that he often stands in front of the predecessors, observes the natural and humanistic environment to think about the emotions of predecessors. Before Liu Houyi, a stone statue recalls the life of Liu Zongyuan, from his literary thoughts to his beggars. Oh, and Yongliu is also a faraway place, so he put himself between the mountains and the water, and his distressed heart.

The environment is completely pinned on the tour between mountains and rivers and the creation of articles, so that the history of Chinese literature has such excellent landscape literature as "Yongzhou Eight Records". The integrity and arrogance of such a generation of scholars have made future generations scholars have to respect him. Cultural awareness and personality, with respect and doubt to pay tribute to this great writer.

Closing the book, we involuntarily walked to the window, the flowing car tide and the crowds are self-declaring another culture. Here is Kaohsiung, and the homeland of the millennium culture is deeply buried. Perhaps we should carry up full of doubts about Chinese culture, personally. Going to the vast land, let us read the book, the heavy and strenuous pace, also walked on it. 2

The bleak autumn wind, accompanied by the light rain of the patter, the dark sky shrouds the silent city, a rare artistic conception. I thought of "Cultural Tradition" and I wanted to read it. I just want this weather to be more suitable. Open the yellowed book, as if you were on a historical train, and pursue the trail left by history with Mr. Yu Qiuyu...

From the beginning of the long sands of "Taoist Tower", and the footsteps of the drifters of the foreign land, from the Dujiangyan of Li Frozen more than 2,000 years ago to the Wujiang ship of the extraordinary era two thousand years later, this is a veritable journey. It covers too much, it bears too much, it makes an unbearable mind, can only use the silent tears to answer too many grievances in history, pain and too much helplessness.

The feet were deeply immersed in the yellow sand, and the footprints behind them were rolled over and over again with the wind that had never stopped. Unlike the humiliating history, this wind and sand has been blowing for thousands of years, and it is not blowing at dusk. Next, a worn-out priest is satisfied with the pockets filled with a few gold coins, complimenting the eyes to show a few greedy smiles, pulling the treasure of a Dunhuang Grotto in the car, the peace of mind disappeared on the edge of the yellow sand; Blowing a heart that is squandered by a humiliating nation.

Say goodbye to the desert and see the mighty Dujiangyan. The tumbling river splatters the white spray. The deafening sound overshadowed everything and made people completely immersed in it. The Great Wall is a symbol of China, and the wall of the city symbolizes the Chinese nation of the dragon. However, the same majestic Dujiangyan? It is just a place of historical interest and is only for visitors to enjoy. Even the scenic spots and monuments are not, just the great rivers and mountains of the motherland. Li Bing, who is blessing the people, may have been removed from his memory by the forgotten descendants. Yes! He does not have the cruelty of Qin Shihuang, let the blood flow in people's memory; without Li Bai's romance, let a poem deep into the hearts of the people; there is no lavishness of the Emperor Wu of the Han Dynasty; even the swearing of the Taoist priest, he does not have ... He is not a controversial figure, just like a stick figure, even if you remember it at this moment, the next moment will be forgotten. Just remembering it suddenly seems to have something to do with that. Majestic momentum is not as beautiful as a feminine. Jiangnan town may find a little comfort for the injured soul. Then, swaying the boat, rippling on the calm water. The mirror-like water surface reflects the hermit who had lived in this landscape painting. Those who cannot stand the war or political persecution. It is suspected that the mountain is high, and it is afraid of Huashan Mountain. It is feared that the Yangtze River will be in full swing, and it will be afraid of the West Lake. So I chose Jiangnan. “Large in the city” has become their best excuse. At the same time, their choices are correct. They are more calm and sensible than those who are brave and dead. They are more self-aware than those who think they have the ability to adapt. So I took a boat and tasted the wine, and I was so excited that I wrote a little poem. The days are also very elegant.

"Flying straight down three thousand feet, the suspect is that the Milky Way falls for nine days." Li Baihao's long-lasting verses lead our eyes to Lushan, the world of literati. Hui Yuan, Tao Yuanming, Lu Xiujing... They are also hermits, but they are not trying to escape, but they are tired of the world. Tao Yuanming's "Peach Blossom Spring" has written a fascinating paradise, but it is a dream that can't be expected. It is just the author's helplessness to reality and the desire for a better life. However, like the moon in the water, how many writers stop here, how many masterpieces are born here. have to say

Lushan is a good place to brew articles, the yellowed scrolls, the faint handwriting, and the heavy history...

"Ticking" the cold raindrops slammed on the book in his hand, as if the tears of a nation’s silent silence. Looking at the bronze tea on the table, pick up, gently sip, really bitter. 3

Writing, writing a cultural journey. Description, describing the ups and downs of history. --Inscription

China's splendid civilization is being wiped out by the time. I don't know if people in the corners reminisce about the history of sinners have closed their eyes, and Ping Yiping has returned to the indifference of history and the harshness of reason. I have always admired scholars who understand history and dare to comment on critical history. At the same time, Mr. Yu Qiuyu, a professor of the Shanghai Theatre Academy, is a hero without mathematics. His "Cultural Tradition" is the most valuable work in the literature and history. Excellent top grade.

This book is the first collection of cultural essays by Mr. Yu Qiuyu. Some of these articles have won first prizes in various literary awards. The main theme of the book is to explore the historical destiny of Chinese culture and the historical composition of Chinese literati by relying on landscapes to seek cultural souls and secrets of life. Mr. Yu Qiuyu relies on his profound literature and historiography. The articles written by his rich cultural sentiment and artistic expression not only reveal the great connotation of Chinese culture, but also provide a new paradigm for contemporary prose.

Mr. Yu Qiuyu attracts readers with his unique writing charm. It is a bitter memory, the heart after the anxiety, the relaxation after meditation, and the youth after the old. He also sighed like many educated young scholars in this book, but the same sighs appeared in different places, and the charm was also far from the same. As he said, "I can be young too." His life is flexible. He always upholds the passion of the young and enjoys the middle-aged time of his old leisure. Therefore, Mr. Yu Qiuyu always has time. It is a hybrid. Therefore, his article is always mixed with different feelings of tone. For example, his sorrow for the loss of Chinese culture is full of insults of dissatisfaction among young people, middle-aged people's helplessness to the world and the sorrow of the elderly.

Maybe some of the views are completely unintentional, but the source of inspiration for this book is definitely intentional. Obviously, he discovered the dust of Chinese history and culture. In today's flourishing era of promoting China's splendid civilization, such a public opinion is naturally more noticeable. The ancient Chinese civilization has created a flourishing age in ancient times. In order to preserve the culture that once flourished and passed away from generation to generation, people have successively built large buildings such as Mogao Grottoes, Dujiangyan, and even ordinary arches. The library is also printed with culture. Mark of. But people's ideals are always good, but the years are against the people, and the changes are endless. People who want to save things to a certain limit will still be washed away by time, although some are artificial, but some In the final analysis, it is still a blank on the roulette of history. Some historical dust things can't be saved. Many scholars are recovering from grief. They always live with pains that they don't belong to them. They can never come out alive. Therefore, "face to the past and the present" is a current and important topic that I have learned from this book. I also believe that this is the subject of research and caution of Mr. Yu Qiuyu. Because only those who can truly recognize the historical situation can print their own ruts on the basis of the historical wheel.

Take a wicker and fold a peach branch. Have a cup of tea and read a good book.

Cultural journey reading notes

Passion for history always aggravates the load of life, and it is felt by the vicissitudes of history that it has caused a sense of life. ——Yu Qiuyu’s first reading of Yu Qiuyu’s “Cultural Tragedy” always sighs at his powerful brushwork and the slogan of arrogance. Appreciating Yu Qiuyu's beautiful text is a spiritual baptism to me to a large extent and gives me a free space for cultural reflection.

Some people say that the article written by Teacher Yu Qiuyu is too bitter, especially the "Cultural Hardship."

Indeed, writing an article is no easy task, and writing a book about the historical plot of culture is only "bitter." As for saying that "Cultural Hardship" is the most "bitter", probably because of its wide range of coverage, the historical plot involved is the deepest and most exciting:

Any essay collection that dares to start like it involves a person with a significant historical background, such as Wang Yuanlu, who can sting the national self-respect that is weak at the deepest part of the reader's mind. In addition to timidity, it is also because, in addition to historians, few people can write the historical fragments of the dusty years that have long been left untouched so detailed and vivid.

No other essay collection can have such a large face. Because there are very few essayists, or other literary masters, like Yu Qiuyu, just rely on two legs to visit the famous mountains and rivers of the motherland to measure every inch of history.

It is precisely because Yu Qiuyu has gone so far on his own legs, so his article will not make people feel very relaxed.

There is a feeling that I want to read but can't read it easily.

It is precisely because Yu Qiuyu has gone so many ways on his own legs, so reading his article will always feel a kind of "bitter and tired" for a long journey.

But if there is no such feeling of "bitterness and tiredness", the reader will not be happy because of the arrival; he will not be disappointed by the halfway return; he will not be embarrassed by the future; he will not be vain for searching for a long time. And depressed; it will not seem to be immersive with the article's magnificent, ups and downs or joy or sadness.

In the long river of history, many people can go bravely like the autumn rain, but only he can be so calm and painfully exposed that most of the history left us with pain and scars, even if it is sometimes a good medicine, It is also difficult to heal. Some people can think of time as a worries, some people can't do it anyway, they will only chew the bitterness over and over again, and this bitterness will be inherited from generation to generation.

Yu Qiuyu wrote in "Cultural Hardships and Ruins": "The ruins are destruction, burial, screening, and choice. The power of time should leave traces on the earth; It doesn't matter if there is no ruin. Yesterday, there is no such thing as today and tomorrow. The ruins are textbooks, let us read a geography into history; the ruins are processes, life is from the old ruins, to the new ruins. It will wither in the future, so the ruins are the destination; the renewal is based on the ruins, so the ruins are the starting point. The ruins are long chains of evolution.” He reflected on the culture of the entire nation. From the "Back of the Chinese Dynasty", he commented on the success or failure of a nation and the cause of a cultural defeat.

As far as I am concerned, the most touching one must be the "Street of Rain and Rain": "My footsteps are very slow when I climb the stairs. I keep asking myself: Are you here? Which generation are you from China? Scholars?" Asking this sentence, let me be a scholar of self-proclaimed "study", this word is really too far away from my personal journey. I asked myself what exactly touched my nerves. The Chinese nation, as one of the first people to enter civilization in the world, created a unique and beautiful hieroglyph, created a simple and simple, and then created it logically. Paper and printing. All of this should have promptly ushered in the ocean of a book, and spread the splendid Chinese civilization. However, the brutal warfare burned crisply thin papers almost uninterrupted, and the boundless ignorance swallowed the fragile wisdom from time to time. A nation that has created all the conditions for writing books and printing books can not own and preserve many books. Books are always a rare and strange monster in this land. Therefore, the spiritual world of this nation has long been Distracted state and spontaneous state, it often does not know where to come from, where to go, who is who, what to do. Let us those who are engaged in the restoration of ancient books even more distressed. It’s possible to treat the priest’s anger, and to mourn his unfortunate feelings.

Yu Qiuyu’s cultural hardships have made me look forward to following his footsteps, avoiding a comfortable and mediocre life, and moving towards the spiritual sanctuary of cultural exploration.

Cultural journey reading notes

Prose can really write the weight of history.

Yu Qiuyu's literary talents are of course good. Huacai Mingli's rhetoric is well-organized and fluent; but what attracts me the most is the picture of the historical fog behind the words. The more ordinary and simple, the more moving. Wang Daoshi’s long-distance foreign scholars took the back of the Dunhuang cultural relics, the water at the entrance of Tianyige and the deep water in the pavilion and the jujube on the pavilion. The young female teachers in the nunnery under the archway, the shoes were in the old days. On the carvings on the archway, the little handcuffs that sent the children away and waved, the two nurses who held the winter plum blossom petals and held the purple silk umbrella. The picture freezes on a character, pauses, jumps to another scene, and pauses. Once you let go, stop and let go, then the vast and profound Chinese cultural history, there will be an image, with the spirit of spirit, no longer abstract, no longer boring, even the part of humiliation, let the humiliation bear the burden Specific exports.

When I read "The Cultural Hardship" for the first time, the feeling of this book was complicated. Except for the emotion, the annoyance of some of the chapters was also strong. This kind of boredom mainly appeared in the moment when the author stood up from the perspective of historical spokespersons, and reached the peak in the article at the foot of Wolf Mountain. Those large and empty speeches, appeals, nouns, and generous words, the tone of summing up the Chinese culture and the comparison of the fate of the ancient and modern literati make people feel uncomfortable in their hearts.

This complicated emotion has always accompanied me to the last page. Since it is unclear and unreasonable, it must be read again, until all the emotions in the chest are calmed down, and all the feelings are precipitated, and it is deeply felt that it is arrogant or empty. Every word is deeply behind. Sincere emotions and confession, just like the phrase "Where are you, what generation of Chinese scholars are you?", carrying too much weight and savings to the deep sorrow that has to erupt, the topic itself is too big, level It’s not easy to see from the shallow to the deep!

This sincerity, expressed in the "Ruins" as a bitter heart, became a kind of silence in "The Wanderer", and turned into a long sigh in "Thirty Years of Weight". While frowning at the big vocabulary who suddenly emerged because of my temperament, I was eagerly and sincerely lamented for such piety. Yes, if he doesn't stand up and wave, shout, whether the tone is not humble enough, no matter whether the door is too loud or not, who in our time is more qualified to shoulder such weight? Or, do you really have to have Can a certain background of certain qualifications stand up and call for an appeal? In such an era, is culture only the privilege of elites?

Culture, no matter what era of civilization, is a cohesive spiritual inspiration. It is a force that transcends all political factors and social habits to truly define the origin and foundation of a person.

The text, because of the truth, will suffer.