Zhang Wei's famous sayings

1. Literature is faced with social reality and one's own heart. These are the two. Otherwise, it will be embarrassing, for the limelight, for the sale.

2. Literary writing is nothing more than this: using words to form interest, it is a clever sentence, a deep thought, and a word that implicates the overall situation - all this has to be thought out slowly, always think about it, then write it down. . This process is too fast. When the speed is approaching to a certain extent, it is necessary to urge and destroy the mind.

3. The first-rate works have always come from the depths of the writer's soul and are a writer's unique perception of life. Literature has always been connected with life and the deep love of the soul. Only when it is responsible and compassionate, it will be inexhaustible, and it will be a writer if it produces a steady stream of touching words. Only the works written in this way will be respectful and obsessive.

4. For a good work, it must have a big premise, that is, to "benefit the people of the world," that is, to make people good, not evil.

5. "Literary Dreams" should not be simply linked to economic indicators.

6. The materialization and utilitarianization of modern society is useless, and aesthetics is useless. Everything has to be realized quickly. Pervasive corrosion and deconstruction of literature and art.

7. The great Lu Xun has become a writer of “children not suitable” today, and it is time to reflect on it.

8. The decline of a national literature is not the decline of literature itself, but the decline of a nation's living state.

9. Nothing can slow down the pace of life with personal efforts.

10. Chongyang and Meiwai are a kind of inferiority.

11. Good writers must be individual.

12. It is important for writers to understand and approach poetry and poetry as much as possible. Leaving this understanding, it is likely to remain outside the door of literature.

13. The care of literature, the expression of literature, and the writing of journalism are very different and even have essential differences. Literature is not a reproduction of life, nor is it "higher than life". It is the product of the personality of the writer's soul.

14. The voice of marginalization of literature is so high, but how can literature be marginalized? Now that it is on the edge, when is it centered again? Literature enters the mind, its position has not changed, and it will not.

15. English should not be considered an important literary condition. For the writer, the mind is only a regional language. Literature is the problem of the soul. Mastering a strong language is not equal to your own literature. When you understand a foreign language, you need to look at how you feel about your work and how sensitive it is to literature. This is the most important issue.

16. A truly outstanding writer will not stand on a mediocre open ground, but can only stand in a very narrow area. There are very few people in this area.

17. Many books are not touching because the author has lost his feelings. The most important thing for writers is sincerity and simplicity. The writer's nephew is not as good as the announcer. The speculation is not as good as the philosopher. The beauty is not comparable to the star. The writer has only a simple feeling.

18. The beauty and oldness of a writer's text is not the hardest, nor the most important. Once the words are exhausted, the writer's career is a bit dangerous.

19. Popular entertainment is just a leisure thing. You don't have to put it in the textbook as a model for language and art for people to learn. But literary literature is a high degree of art and thought, and readers must enter with a learning and research attitude. But after entering, it brings shock to the soul, as well as pleasure, but it is ten times stronger than the average entertainment.

20. Some people think that there is happiness when they have money, but many people are therefore particularly unhappy. Money can also be used to encourage bad things. The bad guys have a dollar and may not have the strength to do bad things, but there are 10 million? The richer the bad guys, the greater their ability to do bad things.

21. When I was writing, there was always another “I” who looked at me from a height and in a distant place. I worked hard to make another “I” satisfied.

22. Only the individual is the public, because the public wants to see a unique life. If it is the same as the public, why should they read your book?

23. Writers must maintain their love, sensitivity and commitment to nature. This is the fundamental driving force behind creation.

24. It is terrible that a nation and an era are all kept out of the classics.

25. "Literary Dreams" should not be simply linked to economic indicators. If you simplify your dreams into production, scope, and influence, then this dream can only be a "nightmare."

26. If a writer has too much rationality and makes reason hurt poetry, then rationality is second-rate.

27. A beautiful language, the language of the game, is almost unreachable for most amateur writers. The point of language is difficult, not only requires talent, but also requires lengthy training.

28. Reading literary works generally focuses not on its plot, but on the details; it is not a central idea, but its artistic conception; it is not a quick swept sentence, but a muse of language; Remember the message, but enjoy it for a long time.

29. Poetry is the jewel in the crown of literature.

30. The most important thing for writers is to be sincere and to be simple. The writer's nephew can't compare with the announcer, and the debate is not as good as the philosopher. The beautiful is not comparable to the movie star. The writer has only a simple feeling.

31. As a writer, unarmed, with only one pen, he will use this pen to express himself and demonstrate his life's mission.

32. A person is a world, even if faced with only three listeners, it is full of blood.

33. At the end of the literature, like a baggage on the train of the times, it can be thrown away at any time. In fact, literature is much larger than this car.

34. Literature has come all the way, becoming more and more noisy and becoming more inward, rather than expanding outward. The psychological space of people is slowly increasing, but the external world is gradually compressing.

35. Literary writing leaves this loneliness, loneliness, loneliness, sense of crisis, and even a very bitter personal environment. It is impossible to have extraordinary and distinctive mysterious thinking.

36. The Internet Age is a double-edged sword. It is cut on both sides. It cannot be simply derogated from the Internet era. It is nothing to be said. But one thing is certain. Some of the damage it causes to creation is irreversible.

37. Every era has its own trend of reading. It should not be simply criticized and criticized, but anything that is trending should be vigilant. My experience is that reading should not be in the crowd. A work that quickly reaches consensus with everyone is likely to be mediocre.

38. Prose is not a fiction, it has something to say. If a writer does not have basic simplicity, courage, innocence, and frankness, he may not be able to reach the highest level.

39. Some common elements in literature, such as universal values, things with ideological and literary content, are generally accepted and easily understood by people of different nationalities and even different eras.

40. Just as a person is heading for the cold north wind, there is a glass of wine on the way, and drinking will warm himself, but without this wine, he will continue to rush forward. It’s good to drink this glass of wine, but you can’t get drunk. You can’t take the award as the highest standard. It’s just a small celebration feast, something other than literature itself. The awards event is more like a holiday. Of course, it is also meaningful to attract the attention of ordinary people.

41. If a nation has reached a small age, has no faith, no religion, no recognition, and only recognizes a word of money, then such an era is terrible.