Social Practice Survey Report: Thinking about Film Art from the Sea
Before I saw the sea, my understanding of the sea was vague. It was just a vague and simple understanding of the vocabulary of turbulence, ambiguity, magnificence, vastness, deepness, and blue. Even when he saw the sea, he felt that he was dull and boring, and he was disappointed.
However, when I calm down, let go of all stereotypes, prejudices and concerns. But standing in the angle and position of the sea itself, once again thinking and understanding the sea in front of me, I found that I was wrong, I misunderstood the sea, from a certain point of view, I made such a mistake: I stood by the sea Blowing the sea breeze, bathing in the waves, listening to the sound of the sea, but ignoring all the existence of the sea itself.
As a result of the worship and followers of art, as a filmmaker of a new era, I think of the question: Are we ignoring the fundamentals of art while exalting the banner of art? Perhaps we are just standing in the ivory tower that we are sculpting for ourselves, using our own subjective and even arbitrary eyes and thoughts to define the film, defining the art that we vow to devote to our lives.
There is only one reason for the dryness of the sea, and that is the dryness of the source. When we cheered for the rare material, when we were amazed at the fine art of Abbas, when we lamented the fierceness of the Korean Wave, when we exclaimed that Hollywood movies were aggressive, we were cheering for others. I am troubled by my poverty. Have we ever thought about whether we ourselves have neglected anything and what is the most important thing? Have you really seriously explored what is the essence of art? Have you ignored the most important film art in this land of China? The fundamental thing - that is, our life, the past life that has been dusty and dusty, and the life we are now living and living, is our own life.
Life is the only source of all art. This is not only the founding father's insight into art, but also the refined generalization of the laws and essence of art. Without approaching the sea, we cannot understand the vastness of the sea. Looking at the sea on the plane, you will feel that the sea is just a big water area. When you look at the sea on a spaceship, we will find that the sea in front of us is just a small blue. However, when we are on the shores of the sea, especially when we are in the sea, we will find ourselves so small that even the sea is not enough to describe, and the sea is so vast and innocent. Similarly, if we compare life to the sea. So, are we cold-eyed with both hands, or even nitpicking and treating it, or should we let ourselves be closer and more intimate? We need to suck milk from our mother, but always keep away from the mother, even because of the mother. Unreasonable, we are not willing to be close to it. Can we suck in the sweet milk? And out of the mother's milk, can the children of the art we care for grow up so strong? So, we can only truly find the sea when we are near the sea. The vastness. Only when you are close to the mother, can you survive and grow. We should be sailors. For the new climax and development of film art, especially Chinese film art, we should put our boat of life and the ship of art into the ocean of life.
The sea is three-dimensional, not flat. It is shallow and shallow, and its bottom can be seen by the naked eye; it is deep and deep, reaching more than 13,000 meters. To thoroughly and thoroughly feel the magic of the sea, the eyes are limited to the surface. The treasures in the depths of the sea and the mysterious depths in the depths of the sea are only known and understood by the fish that swim in the deep water. The ocean of life is also rich and colorful. Maybe it is covered by a dull, monotonous surface, but why don't we let ourselves be in the ocean or even sink to the bottom of the sea, touch each seaweed, admire every coral, and touch every stone? The photographer knows that even a tattered The window baskets, as long as we seriously understand, use them reasonably, and skillfully grasp, can create good artistic effects. Art is actually the refinement of life, while refining requires raw materials, raw materials rely on accumulation, and accumulation lies in collection. There is no gold digger who can dig large chunks of gold at a glance, and there is no diamond that can reach art without a touch. What's more, our responsibility is not to succeed twice or twice. The sea is hierarchical, and the harvest that can be obtained by diving a hundred meters is quite different from the harvest of two hundred meters of dive. Do divers who dare to sneak deep into the sea, sneak into the sea of life, multi-level, deeper understanding of life, experience life, and feel life.
The sea has its own rules. Maybe it will be so calm and unpretentious for a while, but often at the moment when you are tired of disappointment, it will have a heroic and arrogant river. This requires patience and perseverance. The same is true for life. To fully understand all its styles, we should realize that this must be a process, and we should recognize the continuity and long-term nature of this process. Only long-term and in-depth contact with life accumulates various materials. Only then can we show the beauty of life.
Film is art, and it is also inseparable from the only source of life. The historical experience and accumulation are deeply rooted, especially the ubiquitous pervasiveness of the society's economy and politics. This makes our life full of falsehood and extensiveness. Sex, hierarchy, complexity and multi-facetedness require us to be accurate, sustainable, comprehensive, profound and thoughtful in the face of life. Since life is easily overwhelmed by various illusions, we also need to have a clear judgment.
Real self in life, making art real in life. I love life and put myself in the middle of the lives of the vast majority of the people, telling the stories of the people, expressing the emotions of the overwhelming majority of the people, expressing the wishes of the overwhelming majority of the people, and learning the needs of survival and development in the ocean of life. Nutrition can create enduring charm for film art.
However, when I calm down, let go of all stereotypes, prejudices and concerns. But standing in the angle and position of the sea itself, once again thinking and understanding the sea in front of me, I found that I was wrong, I misunderstood the sea, from a certain point of view, I made such a mistake: I stood by the sea Blowing the sea breeze, bathing in the waves, listening to the sound of the sea, but ignoring all the existence of the sea itself.
As a result of the worship and followers of art, as a filmmaker of a new era, I think of the question: Are we ignoring the fundamentals of art while exalting the banner of art? Perhaps we are just standing in the ivory tower that we are sculpting for ourselves, using our own subjective and even arbitrary eyes and thoughts to define the film, defining the art that we vow to devote to our lives.
There is only one reason for the dryness of the sea, and that is the dryness of the source. When we cheered for the rare material, when we were amazed at the fine art of Abbas, when we lamented the fierceness of the Korean Wave, when we exclaimed that Hollywood movies were aggressive, we were cheering for others. I am troubled by my poverty. Have we ever thought about whether we ourselves have neglected anything and what is the most important thing? Have you really seriously explored what is the essence of art? Have you ignored the most important film art in this land of China? The fundamental thing - that is, our life, the past life that has been dusty and dusty, and the life we are now living and living, is our own life.
Life is the only source of all art. This is not only the founding father's insight into art, but also the refined generalization of the laws and essence of art. Without approaching the sea, we cannot understand the vastness of the sea. Looking at the sea on the plane, you will feel that the sea is just a big water area. When you look at the sea on a spaceship, we will find that the sea in front of us is just a small blue. However, when we are on the shores of the sea, especially when we are in the sea, we will find ourselves so small that even the sea is not enough to describe, and the sea is so vast and innocent. Similarly, if we compare life to the sea. So, are we cold-eyed with both hands, or even nitpicking and treating it, or should we let ourselves be closer and more intimate? We need to suck milk from our mother, but always keep away from the mother, even because of the mother. Unreasonable, we are not willing to be close to it. Can we suck in the sweet milk? And out of the mother's milk, can the children of the art we care for grow up so strong? So, we can only truly find the sea when we are near the sea. The vastness. Only when you are close to the mother, can you survive and grow. We should be sailors. For the new climax and development of film art, especially Chinese film art, we should put our boat of life and the ship of art into the ocean of life.
The sea is three-dimensional, not flat. It is shallow and shallow, and its bottom can be seen by the naked eye; it is deep and deep, reaching more than 13,000 meters. To thoroughly and thoroughly feel the magic of the sea, the eyes are limited to the surface. The treasures in the depths of the sea and the mysterious depths in the depths of the sea are only known and understood by the fish that swim in the deep water. The ocean of life is also rich and colorful. Maybe it is covered by a dull, monotonous surface, but why don't we let ourselves be in the ocean or even sink to the bottom of the sea, touch each seaweed, admire every coral, and touch every stone? The photographer knows that even a tattered The window baskets, as long as we seriously understand, use them reasonably, and skillfully grasp, can create good artistic effects. Art is actually the refinement of life, while refining requires raw materials, raw materials rely on accumulation, and accumulation lies in collection. There is no gold digger who can dig large chunks of gold at a glance, and there is no diamond that can reach art without a touch. What's more, our responsibility is not to succeed twice or twice. The sea is hierarchical, and the harvest that can be obtained by diving a hundred meters is quite different from the harvest of two hundred meters of dive. Do divers who dare to sneak deep into the sea, sneak into the sea of life, multi-level, deeper understanding of life, experience life, and feel life.
The sea has its own rules. Maybe it will be so calm and unpretentious for a while, but often at the moment when you are tired of disappointment, it will have a heroic and arrogant river. This requires patience and perseverance. The same is true for life. To fully understand all its styles, we should realize that this must be a process, and we should recognize the continuity and long-term nature of this process. Only long-term and in-depth contact with life accumulates various materials. Only then can we show the beauty of life.
Film is art, and it is also inseparable from the only source of life. The historical experience and accumulation are deeply rooted, especially the ubiquitous pervasiveness of the society's economy and politics. This makes our life full of falsehood and extensiveness. Sex, hierarchy, complexity and multi-facetedness require us to be accurate, sustainable, comprehensive, profound and thoughtful in the face of life. Since life is easily overwhelmed by various illusions, we also need to have a clear judgment.
Real self in life, making art real in life. I love life and put myself in the middle of the lives of the vast majority of the people, telling the stories of the people, expressing the emotions of the overwhelming majority of the people, expressing the wishes of the overwhelming majority of the people, and learning the needs of survival and development in the ocean of life. Nutrition can create enduring charm for film art.
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